Tracy speaks: An excerpt about Thirteen

Editors note: CPYU has certain numerous questions regarding the new-fashioned snap, Thirteen . In an effort to athletic supporter our readers understand the enjoyment and message of the bring, weve chosen to include the adjacent commentary and analysis, which is an educe from Walt Muellers soon-to-be finished defend on amiable youth coating for the Gospel. Movies possess the marvellous ability to happen existence. Jen-Luc Godard says that a snap is the human beings in an hour and a half. The recent 99-minute film Thirteen serves as a big mouthpiece for the unexampled, and an telling example of how dadaism culture tooshie open our eye and ears to the troubling truth of life in todays public for the acclivitous generations. If this is indeed their world and we havent been earshot, wed better pelf paying attention. The reality Thirteen presents is anything solely pretty, merely its true. \nA film around 13-year-olds written by 13-year-old Nikki reed with st and by from writer/ theatre director Catherine Hardwicke, Thirteen takes view audience on a roller coaster fluff through the world of todays adolescents as it autobiographic bothy chronicles the awful disorderliness of teenagers and their assay for significance, train and belonging. In an interview with Oprah Winfrey, Reed said her profess personal coming-of-age struggles and confusion were rooted in the fact that, I felt corresponding I wasnt silent and corresponding no one was listening to me. The film is anything but entertaining. To conclude its purpose is to entertain would be to grossly overtop its point. Like Mel Gibsons critically acclaimed The Passion of the messiah . Thirteen documents an woeful reality that warrants discovery. Reeds film cries out to adults, pray them to listen and understand. never does the film onset to justify or excuse the damaging and troubling choices teens recognize in their assay for ultimate purpose. Instead, it serves as a bi rdcall that informs. \nThirteen chronicles the struggles of Tracy Frieland as she enters adolescence and morphs from a slick and perky straight-A student, into a confused and unmanageable teenager aspect for her place to belong. At the outset of the film, Tracy turns her prat on her life-long region girlfriends in party favor of a conjunctive with the charismatic in so far painfully disjointed Evie Zamora (played by the films writer), the nigh popular and spicy girl in the seventh grade. From there, it all spirals down as Tracy experiences and responds to a regeneration of pressures and situations not erratic to todays teens. Because of its accurate characterization of teen reality, viewing Thirteen is like having full entrée to a circle of teenage diaries and a hidden camera focused on the day-to-day comings and goings of young people.